The Blue Brothers is one of the most odd films of the 1980’s. The film carries itself with utmost grace and it is that grace and heart that saves the movie from going too bonkers. Filled to the brim with car chases from everyone ranging from a zillion cops to a plethora of neo-Nazis plus an array of song and dance numbers, the movie lives dangerously. It threatens to go way over-the-top, but the charisma of both John Belushi and Dan Aykroyd does the movie wonders. There are a huge amount of celebrity cameos that also add to the exciting fun this movie offers. Ray Charles as a soulful music shop owner, Aretha Franklin as a manager of a restaurant, James Brown as a preacher, and a whole bunch of non-music celebrity cameos.

This film was directed by John Landis, whom previously worked with John Belushi in the hilarious 1978 film, Animal House. This whole premise is based off the very popular Saturday Night Live skit that Belushi and Aykroyd created. After Jake Blues (John Belushi) is released from prison, he and his brother Elwood (Dan Akyroyd) visit the orphanage where they grew up. They learn that the Archdiocese will stop raising money for the orphanage and they will auction the place off. This is when Jake receives a, “mission from God.” This mission has the brothers reuniting their old blues band to perform a big gig to raise the necessary 5000 dollars needed to save the place. As they set about their adventure, they seem to be making more ‘friends’  along the way.

The impeccable charms of the cast is one of the great things about the movie. Belushi is a great actor and he shares great chemistry with Aykroyd. Just like in Animal House, you can’t help rooting for the big man. That guy was absolutely funny here. In addition to wonderful leads, we have a whole slew of cameos to mention. My favorite one is Carrie Fisher’s role as a mystery woman who suddenly appears out of nowhere with these giant rocket launchers just to kill Jake. I liked John Candy as the one of the hit men after Jake. Also, Henry Gibson deserves credit as the leader of the neo-Nazi gang. We also have a range of musicians in the move such as the likes of Aretha Franklin, James Brown, and Ray Charles. All of these people really added charm into the movie.

If there would be anything to bring down the film, it would be how over-the-top the film is. I mostly enjoyed how crazy the film got at times, but I know people who had complaints. For example, the Joliet Brothers are chased in the end by what seems to be every police force, the entire U.S Army, and crazy Neo-Nazis….all at once. It may be much for someone to comprehend, but then again the movie works because it truly embraces how silly it can get. It uses its two comedic leads in Aykroyd and Candy as the force of the film and everything else is worked around these two men.

Overall, this is a very fun film filled with an abundant amount of energy. It’s funny, over-the-top, and musically-inclined. I see right away why this film is an instant classic and it goes down as one of my favorite movies.

My Grade: A

Urban Cowboy is a decent movie, no more no less. The story wasn’t exactly inspiring as I am reminded of Grease but with country music. But the plot that has been done a million times before is deemed watchable thanks to some solid acting performances particularly those of John Travolta and Debra Winger. The movie does show what it is like to live in the Texas heartland in the midst of a country music revolution. Maybe it is the clichés, but there are a lot of cowboy hats, bandanas, and line dancing involved. There are two things that stood out in the movie. The first thing is the rodeo scenes in the nightclub. That was probably the best part of the movie. Another thing I liked is the music. Maybe it is my Texas blood, but I caught myself tapping my toes to the songs. What is unique is the movie makes use of live music. Thank you, Charlie Daniels Band!

They story is a simple, albeit clichéd story. James Bridges direct and wrote the film about a man named Bud Davis (John Travolta) who moves from the countryside to the city to be closer with his family. He takes a liking to one of the local joints, Gilley’s. He takes a job at an oil refinery which is owned by his uncle in order to save for his own land. There is where he meets a cowgirl named Sissy (Debra Winger). Just like that, they fall in love and get married. Their marriage is tested when he catches a con man named Wes (Scott Glenn) teaching his wife how to ride the mechanical bull. Wes also wants to rob Gilley’s. When a mechanical bull contest is announced, Bud is intent on saving his marriage.

The performances are key to making this movie watchable as it is. John Travolta has been on an acting slump between Grease and this film, so it’s nice to see him go back to his musical roots. He definitely still knows how to dance. Debra Winger is the breakout of the movie. In fact, she was nominated for Best New Star for this performance at the Golden Globes. She made a believable cowgirl. I think Scott Glenn is often underappreciated as an actor and his performance is a good one.

Urban Cowboy is a fine movie if not forgettable. The story is so-so, but the performances and the music are the highlights of the movie. If you want to see a movie about cowboy life in the Midwest in the early 80’s, well this movie is for you.

My Grade: C+

Hello, dear readers. I apologize for the delay in reviews. Between work and getting ready for a major career change, I hardly had the time to write reviews. But I am back! Today, I will review the 1980 genre classic, The Shining. Directed by masterful director Stanley Kubrick, this film went down as one of the greatest modern day horror masterpieces. Although Stephen King will “kindly” disagree. The movie is borderline sadistic in how it psychologically messes with the audience. The amount of twists and turns add up to one hell of a psychological thriller that made a mess out of my brain. The film maintains an eerie atmosphere throughout the film and it never settles until days after the end credits rolled. Jack Nicholson delivers another career-defining performance as Jack Torrance. The actor’s charisma and scary demeanor matches the tone of the movie perfectly. However, Shelley Duvall quite literally took me out of the movie at times with her blubbering performance.

I will explain the basic premise of the movie the best I can. There are so many different parts to the story, so many different interpretations and themes to make sense of, so the story can be difficult to comprehend once you go deeper and deeper into the story. Alas, one of the many traits of a Kubrick film! Jack Torrance (Nicholson) agrees to spend the winter as a caretaker at an old hotel named, “The Overlook Hotel.” The hotel is known to have an angry, haunted past. These demons and ghosts slowly catch up with Jack as he becomes more angry, depressed, and drunk, thus effecting his wife, Wendy (Shelley Duvall), and son, Danny. Danny uses a special talent of his called, “The Shining” to alert the outside world of all the events that are occurring in the hotel.

One of the things that this movie is infamous for is how it made Stephen King loathe it. He wrote the book on which this movie is based on. It is safe to say that Kubrick took liberty of the source material and switched things around, which King was not happy with. As a reader of the book, I can say both mediums are different. As a rabid fan of movies, I do really like the movie for what it was. An incredibly creepy horror that messes with your perceptions. The screenplay, written by Kubrick, can sometimes be hard to follow. That being said, it is something that is open to interpretation. I have read thoughts ranging from simple themes such as effects of alcoholism to how this story alludes to fairytales such as Hansel and Gretel and Three Little Pigs. There are other people asking, “Is this real? Are these ghosts actually real or are they the figment of the Torrances’ imaginations?” Everybody has their own interpretation. Just watch the movie, and you shall see.

I mentioned before that Jack Nicholson delivers another one amazing performance. After his 1974 feature Chinatown, I would not think that would be possible. His demeanor is tough to start out with, but once he is driven to madness by the hotel, he becomes downright crazy and that was great to see. When he says that famous line, “Here’s Johnny,” you can see how unhinged he has become. On the other side of the spectrum, I thought Duvall was mostly terrible. Her constant screaming and crying sounded fake and quite honestly, made my ears bleed. Her performance took me out of the film at times which is disappointing because of Nicholson’s amazing performance and Kubrick’s stylish directing.

The film maintains a consistent atmosphere of eeriness. The Overlook Hotel is an old-fashioned place set in the mountains and miles away from civilization which advances the creepiness of the story. Cinematographer John Alcott does a wonderful job making the film look creepy as it is. His use of the colors and production design was something special. Also that music created by Wendy Carlos was unsettling, which also added to the film. The ghosts were creepy too. Those twin girls? Enough said. Also, fantastic ending story-wise and visually.

Overall, The Shining is a great psychological horror film and a modern-day masterpiece bolstered by Jack Nicholson’s performance. This is one of the creepiest-looking films I have ever seen. I find it sad that I was abruptly taken away from the story from Shelley Duvall’s acting which took down the final score of this movie a notch. But after the commercial failure of his previous film, 1975’s underrated Barry Lyndon, it’s nice to see Kubrick having mainstream success once more.

“Redrum” “Come play with us, Danny. Forever, and ever, and ever.”

My Grade: B+

In 1977, a cultural revolution began with the little-known science-fiction film called Star Wars created by visionary director George Lucas. It ended up being the highest-grossing film of all-time and it still ranks very high in the midst of today’s blockbusters. It was a very enjoyable movie and it created memorable characters that will live on for eternity. So of course we would get a sequel. In fact, Lucas created a whole world around his baby -an ambition that was not normal in 1980. With the sequel-The Empire Strikes Back, Lucas handed the directorial duties to his former college film professor Irvin Kershner because of his duties with his rising visual effects company Industrial Light and Magic, but of course he was very involved with this film. But enough of the background, let’s talk about this film. This sequel is much darker in tone, more mysterious, and quite frankly the best film in the franchise. Our favorite characters like Luke and Leia Skywalker and Han Solo are back and we are introduced to more characters that are stored away in our hearts forever such as Yoda and Lando Calrissian. This is also the movie where we have the famous battle and reveal between Luke and Darth Vader…or shall I say between father and son, but more on that later.

After the Rebels blow up the Death Star at the end of A New Hope, they hide away in the icy planet of Hoth. But the rebel base is soon discovered by Darth Vader (James Earl Jones and David Prowse) and the empire. From the battle that ensues, our characters are separated. Han Solo (Harrison Ford), Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew), and C-3PO (Anthony Daniels) flee across the galaxy from the Empire. They end up going into Cloud City where they come across an old friend of Han’s- Lando Calrissian (Billy Dee Williams). Meanwhile, Luke (Mark Hamill) and R2-D2 (Kenny Baker) are sent to the abandoned planet of Dagobath where he continues his Jedi training with an old Jedi master named Yoda (Frank Oz). But will they stay forgotten for long with Darth Vader relentlessly pursuing Luke across the galaxy?

One of the biggest improvements over the original film is the visuals. While the visuals in the 1977 film were good for its time period, George Luca’s new production company really improved upon the visuals. Along with the visuals, the film has strong production design and character design. I loved the look of Yoda, which was a puppet of course. You can tell the visuals were strong for a variety of reasons. There were the sights of the majestic Imperial Walkers during the battle of Hoth, the hairy sloth creature that attacks Luke after he gets lost on Hoth, the creepy, dense look of Dagobath, the spiral towers of Cloud City, and of course that lightsaber battle between Luke and Vader.

SPOILER!! My highlight out of many of them is the revelation that happens near the end of the movie in Cloud City. I am sure most of you have seen the movie but if not, read no further. Darth Vader reveals to Luke during their intense duel that he is Luke’s father, Anakin. Of course in the process, Vader chops of Luke’s hand and he falls through a chute but is saved from falling to his death thanks to the Millennium Falcon. Also, the movie ends with Han Solo being captured by the Empire and frozen solid. So these events are just some of the reasons why this film is darker and more sinister than the space opera feel of the first film.

The acting remains a strong point in the movie. Harrison Ford is excellent as always. I loved his “wounded ego” attitude and his bantering with Chewbacca added some lightheartedness to the movie. Yoda is my favorite new character. Not only did they want a realistic puppet, they actually wanted a good actor to bring that puppet to life. And Frank Oz did just that. Mark Hamill and Carrie Fisher remain excellent in their respective roles as Luke and Leia. And the voice of James Earl Jones? Well, the same magic that it always created! Need I say more?

Star Wars: Empire Strikes Back is my favorite Star Wars movie, and frankly one of the best sci-fi films of all time. It really expanded upon the mystery and the lore the first film provided. The film explores its mythology in darker tones and that added depth and humanity to our characters. Lawrence Kasdan’s and Leigh Brackett’s screenplay took Lucas’s world and created something that was evolutionary and breath-taking while staying true to its roots. The film ended on a sinister cliffhanger, so you bet we will be seeing a third film. The story and the visuals are fantastic, and now you can see why this is my favorite Star Wars film.

“No, I am your father!” (Vader to Luke)

“Try not, Do, or do not!” (Yoda to Luke)

My Grade: A

Mad Max is a film that spawned a new genre of post-apocalyptic sci-fi movies and the career of Mel Gibson. This movie also gave birth to three sequels and a variety of spinoffs. Its been years since I first learned of this franchise, but it took me awhile to actually get around into seeing these movies. I have now seen this movie twice. The first time, I did not really like the film. While still an imperfect film, I appreciated the film much more. The story isn’t spectacular-it’s a just a road trip action/thriller with Mel Gibson killing all the bad guys who get in his way, but the characters are what make this movie work.

So Mel Gibson plays a man named Max, a cop in the wastelands of post-apocalyptic Australia. To say Max is a savage cop to those who undermine him is like saying I only merely like watching movies. This man is ruthless when it comes to his career, but what makes Max a bigger character is the other side of himself. He is a happy family man with a loving life and child and they mean the world to him. But his world crashes down on him when a family tragedy occurs thanks to the work of a vicious motorcycle gang led by a dude named “The Toecutter” (Hugh Keays-Byrne). Then the story turns into a revenge movie and a rather good one at that.

This movie starred Mel Gibson before he was a well-known movie superstar. This was only a small Aussie film and at the time, Gibson was only known in his Australian continent and then just barely as he was new to acting. But you can see why he blossomed into such a loveable (for a time) movie star. He added the emotional gravitas that his character needed. Gibson made Max his own and he really kicked ass when it came down to it.

One thing you have to understand about the movie is how utterly violent it can be. You wouldn’t expect this much violence to be in a 1980 film, but give credit to George Miller because he did not hold anything back. From the opening chase sequence to witnessing the harsh actions of The Toecutter and his gang, it can be hard to watch. But the action is built for high-octane action, raw power, and insane speed. That is really all we want in a film like this.

My biggest issue with the film is how outdated it can get. This film was released in 1979 overseas and 1980 here in the States, so it’s an older film obviously. But sometimes I was jolted away from the film thanks to the old-fashioned costuming and hairstyles. The cinematography is fine for when it came out, but it really does not hold up too well and it can be distracting when there are not any high-speed chases going on.

I thought Mad Max was a thoroughly fun film. I viewed the film as an experiment and it works very well in that regard. After all, it came out with three sequels and dozens of similar sci-fi films. Even though the film is filled to the brim with brutal violence and crazy action scenes, it really works because of the emotional themes at its core about family. That really made Max the hero worth watching. It’s not perfect, but it’s good enough for the low-budget unknown film it was at first.

My Grade: B

Let me say it right here. Coal Miner’s Daughter is one of the best films of 1980. Period. I was literally taken by surprise by how much I enjoyed this movie especially from the kind of story it is. It’s a simple rags-to-rich story that does not stray far away from the formula, and yet I was moved by the characterization portrayed by director Michael Apted, screenwriter Thomas Rickman, and the two leads in Sissy Spacek and Tommy Lee Jones. Every character here is humanized  and they have flaws just as much as they have virtues. Sure the story follows formula (the simple early life, rise to stardom, the downfall, and of course the big comeback), but I was firmly glued onto the characters because of how they were. That is what made this movie excel. I wouldn’t expect a movie about a country music star Loretta Lynn would move me as much as it did. But there you go, life is made of surprises.

When Loretta Webb (Sissy Spacek) was thirteen years old, she marries a man named Doolittle Lynn (Tommy Lee Jones). As someone growing up in the heart of the country, Loretta is destined for a life of homemaking. But Doolittle sees that is wife is bursting with musical talent that she has yet to see. So as a anniversary present, she is given a guitar. By the time she turns eighteen, she is the mother of four kids and a busy housewife. But when she finds time to perform at local country fairs and honkytonks, she starts the path to superstardom.

Sissy Spacek and Tommy Lee Jones deliver tremendous performances. Let’s begin with Spacek. She was chosen by Loretta Lynn herself because of a photograph of her despite not being familiar with any of her movie projects. I thought that was really fascinating. Over the course of the movie, Loretta ages from thirteen to her thirties…and Spacek made that age increase convincing. Maybe its her face or her talent, but I believed her a thirteen-year-old growing up in the mountain and as a mid-30’s superstar who ended up on a path of self-destruction as many people her caliber are wont to do. Whether she is singing at the Grand Ole Opry or popping pills on her tour bus, she gave a wonderful performance that earned her the Academy Award for Best Actress. Then there is Tommy Lee Jones in a role perfect for him. He is a very serious man and he gave a serious yet humanized portrayal of Doolittle. He may be serious and a hard man, but he is a loving man too and he wants to make his wife happy and successful. He seems to be fighting with Loretta a lot, but you know there is love when he comes to her rescue at a concert collapse. This is Spacek’s movie, but she allows Jones time to shine.

The story itself is incredibly simple and it follows the simple biography formula. But the characterizations and many scenes give power to the movie. I loved the part where Doolittle Lynn is trying to convince disc jockeys to take her records, but to no avail. I loved when Loretta made friends with a famous country singer Patsy Cline (played wonderfully by Beverly D’Angelo) and was taken under her wing. I loved the scenes where she was growing up in a poor family headed by her father Ted Webb (played by Levon Helm). Every scene in the movie added something to the movie. I also thought Spacek sang very well!

Coal Miner’s Daughter is a very good film, one of the best films of 1980. It strikes a familiar chord, but it’s also warm, moving, and sometimes funny. Loretta Lynn is one of country music’s darlings, and she still is going strong today. If you like biographies or country music or just great movies in general, please check this movie out. I enjoyed it so much, that I gained a greater appreciation of Loretta Lynn and her music. I guess it must be that country heart of mine.

My Grade: A-

When done right, horror movies can work very well. But more times than not, they tend to suck which is why I am not a fan of the genre as a whole. With John Carpenter’s The Fog, we are presented with an interesting dilemma. It’s not a particularly great movie, but there is something about the movie I couldn’t resist. The movie does earn points because of its stylish nature. As the title appropriately suggests, this film is about a killer fog more or less and the production team does a wonderful job in showcasing just how creepy and scary that fog was. Every time I see the green fog travelling through the town of Antonio Bay, California, goosebumps legit appeared all over my body. The movie is also well-directed. John Carpenter is often called horror’s maestro, and you can see some examples of that here. He actually wants to create a story that doesn’t totally rely upon gore or jump scares and he somewhat succeed. The movie also has a very strong beginning. John Houseman’s character Mr. Machen is telling the story around a campfire about the haunted past of the town and it sets up promise that the film only follows through half-heartedly.

This movie takes place in a small seaside town of California and it is fast approaching its one hundred year anniversary. A hundred years ago, a wealthy leper named Blake took a ship called Elizabeth Dane and used it to form a leper colony. But when sailing through the thick fog, they were wrongly led astray by a campfire and everyone on the ship was killed. As we fast forward to present day, the residents of Antonio Bay are about to celebrate their centennial anniversary. But there is about to be a major caveat to the celebration. the victims of the crash are back and with a vengeance. They are back to claim what is theirs in which was stolen from them by the town’s founding fathers.

Now my major complaint about the movie is that it follows the horror tropes by the book way too much than I wanted. Carpenter’s previous horror movie, Halloween gave the genre something new and something that is respected many years later. But this movie was weak in its characterization. It makes the women weak and the men one-note villains. Something that is seen way too much in horror films. However, the cast performed admirably with the tropes in Carpenter’s script. I loved they mostly kept the ghosts in the fog to keep the aura of suspense about, but the ending relied upon a little too much gore when compared to three-quarters of the movie. So in other words, the movie is typical of horror movies. But Carpenter’s direction and the cast were able to pull the film away from the horror of being bad.

I loved the performances of the cast. Some standouts were Adrienne Barbeau, Jamie Lee Curtis, Janet Leigh, and Hal Holbrook. The film follows the footsteps of Barbeau’s character, a radio DJ named Stevie Wayne. She was mostly convincing. Curtis and Leigh are horror alums and they always do well in the genre, so they delivered convincing performances of course. Hal Holbrook gave an interesting performance as Father Malone, who may hold they key for what is happening in the town.

Overall, The Fog is a better-than-average horror film if ever so slightly. I was legit terrified at some points, so that’s how you know this is a good horror film. Then again, I do love a good ghost story. The production design attributed to that feel with all of the fog and the beings behind the fog. But a good directing style and a good cast also helped elevate a rather weak script filled to the brim with tired tropes. A very strong beginning, but is let down by a mediocre ending. But I enjoyed the movie for what it was: a B-horror film.

My Grade: B-

Robert Duvall had himself a fantastic year of 1979. He was nominated for his supporting role in the iconic war film Apocalypse Now. He follows up that “napalm-smelling” performance with another Oscar-nominated performance in this movie The Great Santini. His character in this movie is a form of his character from Apocalypse Now. His character, Bull Meechum, is a hardened Marine who knows nothing but victory and competition. He lives his life with a code and he involves his family in his code. The main theme of the movie is family and at the heart of that theme is a father-and-son story. A very good one at that. The movie was directed and written by Lewis John Carlino, and he did a wonderful job in making the small moments matter. The story itself is a sentimental one, but it stays away from being sappy. There may be tears over the course of the film, but at least you should not end the movie feeling depressed.

Lets get ourselves acquainted with the Meechum family. Bull Meechum(Robert Duvall) is the patriarch of the family and is known as a great pilot and a Marine superstar. His wife is a gentle Southern lady named Lillian (Blythe Danner). She is a very supportive woman to all of her family, including her difficult husband. Then there are the kids-four kids in total. But our main focus is on the eldest son, Ben (Michael O’Keefe). Ben is eighteen years old and is a star basketball player for his high school. Bull is grooming him to join the military, but Ben has other ideas on what he wants to do with his life. Thus culminating a conflict between father and son. There are two main sections to the story: the relationship between father and son and the relationship between Ben and Toomer Smalls (Stan Shaw), the son of their black maid and their experiences in dealing with a racist named Red Petus (David Keith).

The first part of the story is absolutely my favorite and it consists of the first portion of the movie. It’s fun to watch Robert Duvall play to win, but its sad to see how it affects his family. The family constantly goes through hardships because they are always moving because of the military and this setting happens to be in South Carolina. As I mentioned in the opening, this is a father-and-son story. It’s all about Ben wanting to love his father, but at the same time, go on a different path. There was a scene that was hard to watch where Duvall and O’Keefe were playing backyard basketball and Duvall kept bouncing the ball off O’Keefe’s head during one of his modes of high intensity. This is a man who is a fierce competitor(he even wants to beat his son in basketball), a strong leader but has qualities of a dictator.

Now the second part of the film is very strong, but I’m not sure if it fits in the movie as a whole. The whole Toomer Smalls relationship seems tangential to the whole father-and-son story we were set up with. It explains the racism that prevailed in 1962 South Carolina very efficiently, but it seems a little random that it was in this movie. That being said, it was well-done and an integral part of Ben’s character.

The Great Santini is one of those films you won’t hear too much about which is a shame because I was taken by surprise how much I really enjoyed the film. It’s a character piece that is not afraid to take risks, which I cannot say the same of today’s films. I love watching father-and-son stories to see the different connections. Duvall and O’Keefe gave very strong performances and they bounced off each other very well. Both Duvall and O’Keefe were nominated for Academy Awards for their performances. Blythe Danner deserves a mention because of her performance as a sweet, gentle mother. There are many amusing, upbeat moments of the film, but beware of a dark sadness hiding within. Prepare to cry on more than one occasion. This film tackles the themes of heroism, self-sacrifice, grief, and the sense of being a human very well. I was taken aback on how much I loved this film, but I do love surprises.

My Grade: A

“I love the smell of napalm in the morning.”

I have many ideas and thoughts about Apocalypse Now. Based off Joseph Conrad’s Hearts of Darkness, it is considered to be one of the best films of the twentieth century and one of the best Vietnam War movies ever made. I can generally agree with that assessment, but this movie is overly complicated sometimes. The movie has much to say on character and Darwinism. This movie follows Captain Benjamin Willard (Martin Sheen) as  he is tasked to travel downriver from Vietnam to Cambodia to assassinate a former American colonel, Walter Kurtz (Marlon Brando). But when Willard arrives to meet the Colonel, he realizes all is not what it really is. Kurtz has sided with the North Vietnamese for reasons of Darwinism and staying alive. He confesses how much stronger the Vietcong were than the Americans. They would go to any length to win the war and that is what gave them strength according to Kurtz. Kurtz was once one of the greatest soldiers in the American army and now after the reality of the war set in, he is taken over by madness and despair. This entire movie is about the journey Willard takes to understand what exactly Kurtz has gone through over the course of the war because Willard is going through the same ordeal.

This movie shows both the joy and angst of filmmaking as director Francis Ford Coppola will say. This movie was a very hard shoot as it took over four years to film. (Actor Laurence Fishburne was 14 when he began shooting, and 18 when it ended and Harrison Ford filmed his part before Star Wars made him famous…..and that was two years before this movie’s release). The movie was full of complications ranging from sickness (Martin Sheen had a heart attack on set) to actors being very hard to work with (Brando being Brando). But in the end, this was Coppola’s baby. Sure, he had The Godfather films but this is his heart and soul. With all the trouble this film had, it is remarkable how great this film is. Coppola really makes clear what he thought about the war itself and how hard it damaged the human psyche. He underlines the hell these humans have gone through over the course of this journey.

One of the best supporting characters is Robert Duvall as Lieutenant Colonel Bill Kilgore (he said the opening quote of this review). His performance actually earned him an Academy Award nomination rightfully so. Talking about insanity, this man only cares about surfing and beaches. He only agrees to help Willard take a beach because that beach had great waves. Plus in the Redux version (which this review is from), Kilgore uses helicopters to chase down Willard on the river because of accusations that they stole their surfboards. He also uses his choppers as he plays Wagner’s “Ride of the Valkyries” as he swoops down over young schoolchildren. It’s a little over-the-top, but I guess that fits the insanity part very well. Another fun supporting character is Dennis Hopper’s role as a photojournalist for Kurtz. He is supposed to be the funnyman and he incites poetry which he clearly heard from Kurtz himself.

There is one thing that this film wouldn’t work without and that is the opening song. “The End” from The Doors is an iconic tune and it has a significance in the film. I can’t imagine the opening sequence of the treeline being blown away working well without this song. Also keep an eye on the Oscar-winning cinematography from Vittorio Storaro. The movie is utterly gorgeous and he created some of the most beautiful sequences in cinema history.

As well-liked this film is, it does have its share of controversies. Brando, whom was perfect for the role, had a salary of one million dollars (which was unheard of during its time). But there is a sequence in the movie that created even more controversy. The live killing of a cow as part of a sacrifice. Animals are supposed to be protected during movie-making, but this movie actually killed a cow for an incredibly gruesome scene. That is one scene that really appalls me due to an actual animal being killed.

Apocalypse Now is an important movie. Following the success of 1978’s The Deer Hunter, it proved there was an audience for Vietnam War movies after all. It took me several tries to realize what a monumental and influential film this is. It is a very long movie, but it’s a journey about how humankind reacts to the horrors of war. You see Kurtz as a villain at first, but as you come to the end of the movie, that is where we gain some sympathy for the man after everything he has been through. Francis Ford Coppola created a very important piece of art-the biggest film of his career. This is a hard movie to get through, but I think it’s worth watching in the end.

My Grade: A-

“Jaws in Space.” The perfect three words to describe 1979’s unique Alien. If you look at it closely, Alien is very similar to Jaws. An abnormal giant creature is terrorizing a bunch of innocent humans, and even the introduction to each monster is eerily similar. I really dig the influences that Jaws made on Alien. I liked how they hid the alien until the end, where we finally get to see him in all his grotesque glory. The 1970’s was a hard time for sci-fi. Not many science fiction movies were made in the midst of American exploitation films, but luckily Star Wars and Close Encounters changed everything. Because of the success of those films, one of the best sci-fi/horror classics of the twentieth century was able to get produced. I am not much of a horror guy but if you are able to add a science-fiction element to the horror and actually make it good, well you can count me in. I enjoyed nearly everything about this film from start to finish.

One of the film’s best strengths is its pacing. It moves purposely at a slow pace. People would expect the movie to be about the alien from the start, but the alien does not begin its reign of terror until the movie has been running for a good amount of time. But we are treated to wonderful characterizations (conversations on money shares), the silence of space, and the anticipation of what will happen next. But from the start, it’s worth investing your time into the characters of the ship, The Nostromo. Another strength is the production design thanks in part to designer H.R Geiger. The Nostromo has a wonderful design to it and you can tell the influences from Star Wars. But what about the creature himself? My goodness, they are scary-looking creatures. From the harmless looking chest-burster to the killing machine that is called the Alien, they are visually disgusting creatures (in a good way). In today’s day and age of movies, the visual effects still hold up very well. The effects actually won an Oscar.

The Nostromo is a commercial deep-space vessel on its way home when it picks up an SOS signal from a distant planet. The SOS signal awakens the crew from their deep hypersleep way earlier than anticipated, The seven-man crew is led by Dallas (Tom Skerritt) and the rest of the crew consists of Ripley (Signourey Weaver), Lambert (Veronica Cartwright), Brett (Harry Dean Stanton), Kane (John Hurt), Ash (Ian Holm), and Parker (Yaphet Kotto). Once they get to the signal, they realize that this was not an SOS signal at all. It was a signal of danger now that a very dangerous lifeform is a stowaway on their ship. Will they be able to destroy the alien before they get destroyed themselves?

Another reason why the movie works so well is the presence of a strong female lead character. So we have ourselves a 70’s rarity: a female-driven science-fiction movie. Signourey Weaver’s Ripley plays out like a character straight out of a 1950’s movie and I love it. Ripley is a hero worth remembering in future movies. Weaver is the most important character of the movie, but let’s not forget about the rest of the cast. I find the ages of everybody interesting. A typical horror or thriller movie has most of their characters between 20-30. Outside of Weaver and Cartwright, everyone is 35 or older. I liked that because they added experience to their characters thus making us care more about their fates. Ian Holm was the oldest cast member at 46, and is the second most important character. His character is actually an android and his profession is a science officer. So you might have the feeling he will play a pivotal role with the alien (and the humans) fates. I must give a shout-out to John Hurt for taking it so well the fate of his character, Kane. Kane happened to be the lucky fellow involved in the horrifying chest-bursting sequence. I’ve seen this movie several times and the shock value of this scene still remains at a high point.

This movie was directed by Ridley Scott, whom would go on to have an impressive career in Hollywood. But this movie is where he was mostly introduced to the film world. He did one hell of a job directing the movie. This movie could have easily been a movie with cheap scares, but he grounded the movie. He made it much more than just the alien. In a way, you can count this as another similarity to Jaws. That shark movie began the mighty career of Steven Spielberg…..just like this film did with Ridley Scott.

Overall, I really enjoyed Alien so much. This movie spawned many sequels and spin-offs, but none of them impacted me like this movie did although 1986’s Aliens is also a classic. The movie is scary and thrilling, but Ridley Scott’s powerful directing and Signourey Weaver’s acting prowess did much to elevate the movie. Then there was the impressive visuals, the good use of sound (a smooth mixture of silence and Jerry Goldsmith’s score), the good script by Dan O’Bannon. This is really an unforgettable classic and its up there with Jaws (yep, I mentioned it again) as my favorite horror movies from the 1970s’. If these kind of films have a good story, then you bet I’ll like them.

My Grade: A